AUSTRALIAN SHEPHERD

The Australian Shepherd is a beautiful, energetic dog who excelles at Agility. I think they are wonderful, but then, I have a soft spot for most of the Herding dogs. I love that they are usually "free thinkers" as I call it . The Herding dogs have to be intelligent enough to be able to think for themselves once in a while.
I'm starting to rebuild my collection of note cards; retiring my old black and whites and replacing them with colored images. Eventually, I will probably put them into a little book about dogs, something I've always wanted to do. This image will part of that collection.
AUSTRALIAN SHEPHERD is a 9 x 11 watercolor on Arches 140 smooth, and is available as note cards, and the matted original is also available.

Heather Anderson - Sheltie Hollow
http://www.heatheranderson-animalsinart.com/

SHELTIE WINTER

I'm way behind in posting to my blog. Things have been busy here at Sheltie Hollow. Commissions, painting my own visions, family responsibilities, Christmas preparations, and life in general have filled the days and evenings until I find that yet another day has gone past without doing a blog entry. I managed to fit in number 3 of my SHELTIE SEASONS series, and if you want to see SHELTIE AUTUMN, please go to my website's Sheltie Watercolor page. Or follow my art page on Facebook at http://www.facebook.com/pages/Heather-Anderson-Animals-in-Art/178460752664?ref=nf

This painting I've posted today is one of my favorites. SHELTIE WINTER is an 11 x 14 watercolor, and even though I was working with a Bi-Blue Sheltie against a partially white background, I chose to accept the challenge of doing the entire paiting in watercolor as usual rather than using some gouache or acrylic. For areas where I needed white on a dark color, I used Titanium White right out of the tube. For the rest, I relied on a careful balance of shading.

I really enjoyed this series, and all 4 paintings will soonbe available as prints through Zazzle.

. . .. And I will try to keep my blog posting going strong in the new year!

Ginger

Meet Ginger. She is a thoroughly delightlful Pomeranian who is the subject of a recent commission. This 8 x 10 portrait was done in Colored Pencil on Arches 140 Hot Press paper. I loved the challenge of all that fluffy, golden fur, and of course, her darling little smile. That took a while, as I don't trace or project, but it is such a great feeling to get it right. It's great to please my client, and wonderful to be happy myself with what I have accomplished.

Painting dogs and cats is such a joy in my heart.

Ripples

In this watercolour from some years ago, the Lab is enjoying the ripples of water as they gently wash against him. Life can be a little like that too, I think.
I recently had the opportunity to do something thoughtful for someone who had been very much the opposite to me in the past. When the request came, my first inclination was to brush it off . . ."Not in this lifetime, Cookie!" But then I began to think about it. Was I going to withhold the little thing that was being asked of me because I really didn't want to do it, or was I saying no out of revenge? It bothered me that I was heading into revenge territory, so much so, that I did as I was asked. I didn't expect anything in return, and there was nothing I wanted. I just didn't want to do something (or not do it) out of vengeance. My spirits lifted immediately.
And the person wanting the little favour . . .did they respond by doing something nice for me in return? Not on your Nellie! :-0. BUT .... since then, one by one, good things have been rippling into my life. Good friends reaffirming friendship, new friends entering my life, spontaneous good times, little kindnesses dropping out of the blue, a pick up in business after last year's tough economy, better health, and moments of quiet peace. When you take the high road, the universe rewards.
Now if something like this comes up again, I can say no, knowing I'm saying it for the right reasons.

Poppy - Belgian Sheepdog

The Belgian Sheepdog wears several different coats, this black one being the handsome Groenendael. These intelligent, beautiful dogs served in war time as guard dogs and Red Cross dogs, and now they excel at Agility.
A black dog is a challenge to paint, and I have enjoyed the challenge of painting this fellow in watercolour. Poppy is an 8 x 10 watercolour on Arches 140 hot press watercolour paper.

Playing In Puddles . . .Paper

I wasn't going to Play in Puddles until next week, but a look at the calendar convinced me to post this now while I have a chance.
Last time, I referred to watercolour "board", so lest there be some misunderstanding, I will explain my use of the term. Watercolour paper and Illustration board are two very different things. Illustration board is excellent for graphic artists and designers. It will accept gouache, acrylic, graphite, ink, and to some degree, even watercolour, although it can make washes difficult and it can be hard to build up layers of colour, but this board usually has a very slick surface and often is not acid free. It is not something that I use for my watercolour paintings.
Watercolour paper on the other hand, is made expressly for watercolours, although it can be used for other purposes. It comes in different weights; 90lb, 140 lb, and 300lb are the most common. The 140lb is heavy, more like a light board than a paper, and the 300lb is definitely a board. Most professional watercolour painters use the 140 and/or the 300 because of its strength, versatility, and because unless you are going to soak your paper, you needn't stretch it or tape it down. I use a style that uses less water than normally used in traditional watercolours, so I have found there is no need for me to tape or stretch my paper.
My favourite paper/board is Arches Hot Press. I've talked about it before and I probably will again. This "paper" has no paper in it. Arches is 100% rag content and is acid free. It has been used with confidence by watercolourists for over 500 years, ever since it first appeared in 1492. It comes in COLD press, a paper with some texture, and this is the most popular choice. It also comes in ROUGH texture, something that appeals to artists who love the unexpected effects this board gives you. I like their HOT press best, a sheet that is very smooth, but not slick. This paper absorbs the colour well, allows for almost endless washes and build up of colour, allows great detail, and takes a lot of abuse.
I've tried a lot of different papers/boards, including one that uses an acid free paper laminated to a non-acid free hard backing. I've liked many of them and found them to be really good papers and many of them are the preferred choice of a lot of artists, but I've settled on Arches for all its great qualities and its reliability, and because I love the way the paint flows across the surface. Its one drawback is that the heavier weights are quite expensive, but quality is worth the price.
My little 8 x 10 watercolour "Encounter" was done on Arches Hot Press.

Playing in Puddles - Serendipty

Time to Play In Puddles again! I know, I've shown you "Brittany Autumn before, but today, I want to talk about Serendipity in watercolours, and this painting is a good example of that very thing.
I wanted the main focus of this painting to be the dog and the flowers, so the background had to be made to be less prominent. I wanted that full, woodsy look, but didn't want to do the woodland detail that would detract from the dog. So I used a wet-in-wet technique that relies a lot on serendipity.
You'll notice that I kept to an analgous palette for the background. That gave me the depths of greens and the green/gold light I wanted. First, I applied water to the background where I wanted the colour, let it dry to the correct degree of dampness, then began to drop wet splotches of colour into the wet board. By shifting the board around, some judicious lifting of colour, and dropping in more colour suspended in various amounts of water, the muted, textured background began to take shape. From there, it was a case of knowing what colours and how many layers to add and knowing when to stop. Sometimes serendipity strikes and you get lucky and love what has appeared, while other times, . . .well, you can always start over. Please join me next week when I have fun Playing In Puddles again.

Playing in Puddles part 2

Today I think I'll talk about the Colour Wheel, something that is a valuable tool for the artist no matter what medium you work in. I have one that I bought, but I also found it a valuable experience to make one. It really seems to help get a sense of what the colours are all about when you paint in your own Primaries, and mix your own Secondaries and Tertiaries. You begin to have a better understanding of the Complementary and Analgous colours and how they work.

I know I've shown you this painting before, but "Autumn Reds" makes use of Complementary colours (red and Green) as well as Analgous colours, (yellow, yellow-green, and green) to give a bright, sparkling effect. Try using one Complementary colour to quieten the other one, or place them side by side to make each one sing. Colour magic is always an adventure, no matter what medium you are using. Naturally, my first choice for the adventure is Watercolour!

Through The Gate Please

"Through The Gate Please" is a painting from a dog's point of view. This Westie is making it clear that on this sparkling Winter morning, he would prefer to go through the gate and go for a walk in the dawn light than stay in the confines of the garden.
We often see dogs as cute, and so they are, but they are also thinking, sentient creatures with dignity. Because I respect them as much as I love them, I always try to let that dignity come through in my paintings of them.
This West Highland Terrier painting, "Through The Gate Please" is an 11 x 14 watercolour on Arches 140 Hot Press paper.

Mentors

This past weekend, I was thinking about a wonderful lady who was my mentor from the time I was a young girl. She taught me so much about dogs, and took me into the thrilling world of Dog Shows, and after much persuading, she convinced my parents to let me have a dog of my own. She taught me about life at the sea shore, and about the stars, and I loved every minute of my time with her.
This lady was an artist (oils), and she always encouraged me in my own dreams to be an artist. When I was a teen, she found an art teacher for me who could give me the help I needed with watercolours and in learning to draw accurately, but alas, this time, she was unable to convince my parents to let me have the lessons. But she continued to encourage me and to tell me that I could accomplish whatever I wanted.
When she passed on, her family (who are very dear to me) very generously gave me her brushes, and even though I don't do oils, the brushes sit beside my watercolour and acrylic brushes on my art cabinet. When I work on an acrylic painting, I always use one of her brushes for a few brushstrokes at some point, and because I take very good care of them, they accept the change and are staying in excellent condition.
Using these brushes makes me feel like she is here beside me, cheering me on as she did while she was alive, and sometimes I fancy I can almost hear her uniquely wonderful laugh.
A mentor - the right one, can make a huge difference in an artist's life, and I was so very lucky to have this lady come into and stay in my life. I have chosen to illustrate this blog with my 11 x 14 watercolour painting AN CAPAILL BAN (the White Horse) because my friend loved the ocean and believed that one can make their dreams come true.

SOMETHING NEW - The Winter Path

With a new year starting, I feel both the need to do something new, as well as a need to do the same things in new ways. For several years now, I have worked with Coloured Pencil more than anything else. I love the vibrancy of Coloured Pencils and the detail that is possible, and it has been great fun exploring this great medium. But as many Coloured Pencil artists have found, it has taken a toll on my hands. I've started to have some serious hand pain while I'm working on a large piece, so it's time to be gentle with myself for a while. This means limiting the Coloured Pencil work and returning (for the most part) to watercolours, something that will be a joy, as watercolour has always been the medium I love best.
Much as I love painting dogs, cats, and horses, (and always will), I am at a place where I need to refresh my mind, and that means painting something completely different every now and then. I dearly love the beautiful valley where I live, and everywhere I look, in every season, I see lovely things, sometimes large panoramas, and sometimes little things that could be easily missed if one is not looking for them. I find at this time, that I want to paint some of these things and places once in a while so I can share them with you.
THE WINTER PATH is a place near home that I see whenever we drive into the city. Half hidden, it is easy to miss this path as we zip past it in the car, but now I know to look for it, and I find beauty there in every season. This 5 x 7 watercolour is the first in what will be a "now and then" series called "The West Carleton Paintings".

Biff & Jo-Jo HAPPY NEW YEAR!

It's been a Sidney Carton type of year . . . "the best of times and the worst of times". Here at Sheltie Hollow, we had some serious challenges to deal with and some just plain irritating or nasty stuff to handle. But somehow, everything turned out all right, sometimes wonderfully right, so we end the year full of gratitude and with hope for a bright New Year.
Biff and Jo-Jo are having a wonderful time celebrating. They have noise makers, silly hats, snacks and some vintage ginger ale, and they want to share their wishes to all of you for a Happy New Year!

I Wanna Be a Reindeer

It's nearly Christmas, and I will finish off my Christmas Cards with my newest one - I Wanna Be A Reindeer! Our littlest Sheltie has big dreams, just like our Eskie cross. In his own words -er- woofs,
"I wanna be a reindeer,
Wanna pull Santa's sleigh.
I want to fly with Santa,
Have a Happy Christmas Day!"

This little 5 x 7 painting is a watercolour and is just plain fun.

Visions of SugarMice

About now, most children (and some adults) are going to sleep to dream about presents under the tree and sugar-plums in their stockings. (Does anyone know what a "sugar-plum actually is?) Cats, being super intelligent little creatures, are no exception. I caught our cat happily snoozing near the fireplace, where his stocking is hanging with care, and dreaming of SugarMice. This 11 x 14 watercolour hangs in our house every Christmas season, but small prints are available.

The Carolers Sing Joy

I know, this should be Dog Parade Wednesday, but there is a big storm raging today and there are no dogs walking past Sheltie Hollow. In fact, during the winter, not many dogs walk past at all. It gets dark so early that most of them stay in their own gardens to play, so I will be giving the Dog Parade Wednesdays a rest for a while. There will be lots of other good stuff to see and read though, so please keep stopping by.
Today, I thought it would be fun to start posting a number of my Christmas paintings and card designs from years past, as well as one or two new ones for this year. Between now and the first official day of winter, December 21, I will have several Christmas Card posts.
This one was inspired by two of our Shelties who were having a howling good time. They looked like two little Christmas Carolers, and this is the time to sing out joyfully, all the wonderful old Carols. JOY TO THE WORLD!

Fresh Snow

Finally, we have snow. At the moment, there is just enough to dust the ground, like the snowfall we had last week, but this time, we are told that it will stay. This week is supposed to bring a proper drop, so it will really look like Christmas.
This is a little watercolour sketch I did called FRESH SNOW. I really like it so it may end up as a full size painting one of these days. I wanted to get the idea down before it drifted out of my mind. Can't you just imagine the cold, crisp air, and a glorious Friesian thundering across a snowy field, sending the Cardinals, (or Red Birds, as I like to call them) flying out of the bushes? This is a Winter scene I could look at all year long.

DOG PARADE WEDNESDAY- BORDER COLLIE

We live in an area where there are some sheep farms as well as cattle farms, and we often see Border Collies. There are also some in the village who work at being pet for a living, and they are always a treat to see trotting past the Sheltie Hollow window.
These beautiful dogs are super intelligent, intense, focused, and need a job, even if that job does not involve sheep. They come in two coat types - short haired with some feathering on the legs, or medium long and often wavy. Although usually black and white, there are a variety of possible colours as well as some solid coloured dogs. Border Collies are high energy dogs, as in HIGH ENEREGY, and need safe exercise as well as either a job or a canine activity such as Agility, Flyball, etc. to focus on.
This coloured pencil drawing is available as a 5 x 7 matted print for $25. shipping included. You can reach me at: anderson.animalart@sympatico.ca

DOG PARADE WEDNESDAY - the GOLDEN RETRIEVER

There are several beautiful Golden Retrievers who walk past Sheltie Hollow. How could you not love this dog? His blond good looks are matched by a golden personality. He is gentle, reliable, friendly, intelligent, and obedient. It must be remembered though, that he is a powerful dog who still has a retrieving instinct, and while he needs lots of exercise, he needs to be in a fenced area for his own protection.

This little coloured pencil drawing is available as a 5 x 7 matted print for $25. shipping included.

You can reach me at anderson.animalart@sympatico.ca

PROCESS 2 - Medium -Coloured Pencil & Graphite

Today I want to tell you about some of the Mediums I use. When I do Portraits, I start with a watercolour wash on either Stonehenge paper or Arches hot press 140 lb. paper and then work over it in Coloured Pencil. The paper is top quality and acid free, and I love the smooth, but not plate finish of both papers because I am a detail person.
I start with the initial drawing on newsprint, (not traced or projected), transfer it to my good paper, and then do a very light watercolour wash to establish the colour pattern and to lay a bit of a grip on the paper. You can see in this image of a commission I did last year where the watercolour is, and that over it, I have started layering the Coloured Pencil. This is a long process, and there is no hurrying it. I was far from finished any part of the portrait when I took this photo. The green you see is the low tack masking tape I use to mask off my painting area because I have a personal preference for a neat, clean, white border around my paintings, even though it will be covered by a mat. Naturally, it comes off as soon as the outline area of the piece is done.
For the most part, I use Prismcolor Pencils because of their quality, availability, and colour range. Added to them, are selected colours from Derwent and Faber Castell. All these brands are professional quality. Coloured pencil is a relatively new Fine Art medium, so there are still things we need to learn about some of the colours, but by using the best quality and the most lightfast colours, I have confidence that these portraits will long outlive the people who commissioned them.
I enjoy using Graphite too, and I have always used Faber Castell Graphite pencils in a range from 8B (very soft and dark) to 5H (very hard and light). It is of paramount importance to use graphite pencils from the same brand because each brand uses a different scale to measure light through dark. When using Graphite, I use Stonehenge paper, as already mentioned, an acid free paper which means it will stand the test of time.
Next time, I will talk about watercolours.

DOG PARADE WEDNESDAY - the GREYHOUND

Did you see that lean slice of speed that flashed past my window? The elegant, aristocratic Greyhound is the fastest of any dog, yet he makes a calm, clean, loving, and loyal pet.
Once the privilege of the nobility, now the Greyhound is available to those who can commit to giving him the education, love, and care he needs, and that includes daily exercise, like a good run in a safe environment so that he can stretch those long legs of his.
I painted "Greyhound Hill" some time ago, and it has always been one of my favourite watercolour images. The hounds just poised to run, the expanse of countryside, the fresh spring colours, all give me a sense of freedom and lightness of spirit. A 5 x 7 inch (image) matted print for $25. including shipping, can be yours by contacting me at anderson.animalart@sympatico.ca